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red-lipstick: Anselm Kiefer. Sternenfall (Falling Stars). 1995.
Anselm Kiefer. Palette with Wings. 1985.
Anselm Kiefer. Everyone Stands Under His Own Dome of Heaven. 1970.
Anselm Kiefer. Palm Sunday. 2006.
blue-voids: Anselm Kiefer - The Hierarchy of Angels, 2000
artaddictsanonymous: Anselm Kiefer, Untitled, 1969 mamma mi insegnò che gli specchi d'acqua, nel presepe, sono specchi veri e proprii o frantumi di specchi dissimulati nel muschio. A me l'effetto non convinceva affatto, essenziale per un bambino sono
darksilenceinsuburbia: Anselm Kiefer Winter Landscape (Winterlandschaft) 1970
art-in-public: From Anselm Kiefer exhibition at White Cube, UK
asolitarycomfort: Anselm Kiefer, Heaven is an idea
mianoti: Anton Corbijn * (who is a demigod) took this — Mr. Anselm Kiefer (w), (another demigod), in 2008. Found it via
Anselm Kiefer (Donaueschingen, Baden-Wurttenberg, 1945); Die Meistersinger, 1981; oil, emulsion and sand on photograph mounted on canvas
alaspoorwallace:Anselm Kiefer (German, born 1945), MORGENTHAU PLAN, 2012. Acrylic, emulsion, oil paint, and shellac on photograph mounted on canvas, 287 x 380 cm
rawforms: Sommer in Barjac - Die berühmten Orden der Nacht from The Seasons by Anselm Kiefer (swanlights)
alongtimealone: Anselm Kiefer (b. 1945) Shulamite, 1983
paintedout:Anselm Kiefer
unsubconscious: Landscape invention at Anselm Kiefer’s Studio, Barjac.
downinyonforest: Anselm Kiefer Sonnenschiff, 1998
cavetocanvas: Anselm Kiefer, Brünnhilde Sleeps, 1980
iconophages:Anselm Kiefer at the exhibition ” the stedelijk museum & the second world war”- Amsterdam- Stedelijk museum
paintedout: Anselm Kiefer, Ich bin der ich bin, 2015
paintedout: Anselm Kiefer, The Source of the Danube
paintedout: Anselm Kiefer
emportesparlafoule: By Anselm Kiefer - The Hierarchy of Angels
rerylikes: “I’m interested in reconstructing symbols. It’s about connecting with an older knowledge and trying to discover continuities in why we search for heaven.” — Anselm Kiefer, photo by Anton Corbijn
blushingcheekymonkey: anselm kiefer
neo-catharsis: Anselm Kiefer - Der Rhein (Melancholia), 1982
thunderstruck9: Anselm Kiefer (German, b. 1945), Ave Maria, 2008. Oil, emulsion, acrylic, shellac, clay and rose collage on card and burlap laid on board, in artist’s frame, 191.1 x 141 x 8.5 cm.
sexhaver:poetryconcrete: Tottering Towers, by Anselm Kiefer.
elpasha711: Wayss II (1977) Anselm Kiefer
speciesbarocus: Anselm Kiefer - Schechina (1999).
istmos: Anselm Kiefer, “The Dark Light That Falls from The Stars”, 1996
nearlya: Anselm Kiefer. Siegfried’s Difficult Way to Brunhilde, 1977
atw211: Anselm Kiefer. “Winter Landscape"- 1970. Watercolour, gouache, and graphite on paper
fetchingshadows:ArtPropelled | nearlya: Anselm Kiefer, Tannhäuser.
Anselm Kiefer: Man under a Pyramid (1996) Tate Gallery
rickstevensart:Anselm Kiefer | Abendland | 1989
saatchiart: “A painting is a conglomeration of failings. But, we can say this of life also.” –Anselm Kiefer (photo by Laura Stevens)
likeafieldmouse: Anselm Kiefer - More from the series Morgenthau Plan (2012)
tyetaro3: Anselm Kiefer exhibition at MASS MoCA
alongtimealone: Anselm Kiefer. Transition from cool to warm. 1977.
thunderstruck9: Anselm Kiefer (German, b. 1945), Cosmos and Demian, 2005. Acrylic, clay, resin, gouache and photographic paper on cardboard, 75 x 100 cm.
dianavanwijk: Anselm Kiefer, Die Etsch, Watercolor, gouache and ink on paper, 22 x 16 ¼ in. (56 x 41 cm), Hall Collection (hallartfoundation.org).
thunderstruck9:Anselm Kiefer (German, b. 1945), Ave Maria, 2008. Oil, emulsion, acrylic, shellac, clay and rose collage on card and burlap laid on board, in artist’s frame, 191.1 x 141 x 8.5 cm.
mianoti: Anselm Kiefer * [+] Zweistromland / Land of Two Rivers installation, mixed media, 1985-1989 […] Throughout his career Kiefer was a maker of books, one-of-a-kind works like medieval manuscripts. His most monumental expression of this interest